{"id":2109,"date":"2019-04-02T21:00:37","date_gmt":"2019-04-02T21:00:37","guid":{"rendered":"https:\/\/www.filmfest-granada.com\/2019\/?p=2109"},"modified":"2019-04-07T13:20:55","modified_gmt":"2019-04-07T13:20:55","slug":"asi-fue-el-coloquio-de-lurralde-hotzak-un-viaje-sin-timon-por-las-orillas-heladas-de-la-narrativa","status":"publish","type":"post","link":"https:\/\/www.filmfest-granada.com\/2019\/blog\/2019\/04\/02\/asi-fue-el-coloquio-de-lurralde-hotzak-un-viaje-sin-timon-por-las-orillas-heladas-de-la-narrativa\/","title":{"rendered":"As\u00ed fue el coloquio de Lurralde hotzak: Un viaje sin tim\u00f3n por las orillas heladas de la narrativa"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\"><strong>Theo Angelopulos, Wim Wenders, Victor Erice y Lars Von Trier<\/strong> descendieron las escaleras del patio de butacas de la sala del Centro Garc\u00eda Lorca junto a <strong>Iratxe Fresneda<\/strong>, que abr\u00eda la secci\u00f3n Vibraciones con <i>Lurralde hotzkak (Tierras Fr\u00edas),<\/i> la segunda parte de una trilog\u00eda en construcci\u00f3n. La referencia a estos directores no es casual, su pel\u00edcula realiza peque\u00f1os homenajes a lo largo de todo el metraje: <em>\u201cPas\u00e9 diez a\u00f1os estudiando el cine de Lars von Trier, los estereotipos de mujer criticados en su cine\u201d<\/em>. Sin embargo, haber le\u00eddo y estudiado cine no ha sido un obst\u00e1culo a la hora de contar la pel\u00edcula, que traspasa todo lo acad\u00e9mico y pone la eterna pregunta &#8211; \u00bfqu\u00e9 es el cine? \u2013 una vez m\u00e1s contra las cuerdas.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">El lirismo de la pel\u00edcula, escrito en sonetos de nieve y rincones invisibles para los turistas que pisotean las ciudades que visita, no adormece al espectador con una simple nana de im\u00e1genes bellas. Fresneda hace una declaraci\u00f3n de intenciones cuando, reci\u00e9n comenzada la pel\u00edcula, nos muestra un plano que recoge la zanja donde se ha encontrado una fosa com\u00fan del franquismo. <em>\u201cLas pel\u00edculas deben molestar, aunque se aun poco. Ser una china en el zapato\u201d<\/em>. <strong>La directora habl\u00f3 durante el coloquio de la necesidad de un cine que deje al espectador<\/strong>\u00a0entrar a la pantalla y colaborar en la pel\u00edcula. <em>\u201cA m\u00ed me gustan las pel\u00edculas que me dejan libertad, que me dejan navegar (\u2026) As\u00ed, cuando sales de la pel\u00edcula, sigues vi\u00e9ndola\u201d<\/em><\/span><\/p>\n<p><span class=\"s1\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-2110\" src=\"https:\/\/www.filmfest-granada.com\/2019\/wp-content\/uploads\/sites\/6\/2019\/04\/IMG_6761-copia.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.filmfest-granada.com\/2019\/wp-content\/uploads\/sites\/6\/2019\/04\/IMG_6761-copia.jpg 1200w, https:\/\/www.filmfest-granada.com\/2019\/wp-content\/uploads\/sites\/6\/2019\/04\/IMG_6761-copia-300x200.jpg 300w, https:\/\/www.filmfest-granada.com\/2019\/wp-content\/uploads\/sites\/6\/2019\/04\/IMG_6761-copia-768x512.jpg 768w, https:\/\/www.filmfest-granada.com\/2019\/wp-content\/uploads\/sites\/6\/2019\/04\/IMG_6761-copia-1024x683.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">No hace falta que Iratxe Fresneda se defina como profesora de cine para ver, en su manera de hablar sobre su filme, que es una transmisora de conocimientos nata. La directora <strong>nos habl\u00f3 de c\u00f3mo quiso estudiar el cine por dentro, perseguirlo, cazarlo<\/strong> y presentar lo estudiado y descubierto ante la tribu. <em>\u201cMe parec\u00eda muy importante trasladarlo a la pr\u00e1ctica, a lo art\u00edstico, para que mis alumnos y alumnas lo vieran\u201d.<\/em> Fresneda es una espe\u00f3loga del cine, una colonizadora de esas fronteras inhabitadas en las que solo los valientes se atreven a clavar una bandera, una bandera blanca en la que cada espectadora o espectador puede escribir su propia historia. Entre aplausos nos despide con un consejo que queda flotando en la sala mucho despu\u00e9s de que la multitud la abandone. <em>\u201cSe cierra todo. Ahora, a vivir\u201d<\/em>.<\/span><\/p>\n<h2 class=\"p1\"><strong><span class=\"s1\">Mayte G\u00f3mez Molina<\/span><\/strong><\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Iratxe Fresneda abr\u00eda la secci\u00f3n Vibraciones del 25 FIJR con Lurralde hotzkak (Tierras Fr\u00edas), la segunda parte de una trilog\u00eda en construcci\u00f3n.<\/p>\n","protected":false},"author":2,"featured_media":2111,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[9,32,31,33],"class_list":["post-2109","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fijr-2019","tag-25fijr","tag-iratxe-fresneda","tag-lurralde-hotzak","tag-vibraciones"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>As\u00ed fue el coloquio de Lurralde hotzak: Un viaje sin tim\u00f3n por las orillas heladas de la narrativa - 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